Eli Roth’s ‘Death Wish’ remake starring Bruce Willis is less gritty than its predecessor, making it somewhat less reactionary and consequently more enjoyable.
‘Split’ is M. Night Shyamalan’s latest picture, which returns to his low-budget roots and is even more enhanced by the completely unexpected twist at the end.
‘The Belko Experiment’ is an engaging thriller that takes audience into the centre of a trap designed to turn formerly amicable co-workers against each other in a ruthless fight for survival.
‘Don’t Breathe’ is an edge-of-your-seat thriller that turns the heist movie on its head, but sacrifices some of its intensity for everlasting suspense.
‘10 Cloverfield Lane’ isn’t your typical sequel and it’s the better for it as the tension in a bomb shelter begins to make the external threat seem tolerable.
‘One Floor Below’ takes a common, adrenaline-fuelled plot and turns it into a slow burning thriller in which the anxiety gradually increases until it reaches the boiling point.
Directed by the co-writer of ‘Gravity,’ ‘Desierto’ creates an agoraphobic experience in which one man takes it upon himself to protect his country’s borders with lethal force.
Writer/director Jamie M. Dagg and actor Rossif Sutherland discuss the challenges of shooting in Laos while attending the TIFF world premiere of Dagg’s feature film debut, ‘River.’
‘The Visit’ is M. Night Shyamalan’s latest picture and it’s surprisingly entertaining — something that hasn’t been said about the filmmaker's work in some time.
In ‘The Intruders,’ a young woman feels something sinister is afoot in her creepy new house, but debates whether it’s imaginary, supernatural or corporeal.
‘The Boy Next Door’ starts off steamy but gets cooler with every passing minute, and not even the hot bodies of Jennifer Lopez and Ryan Guzman can turn back up the heat.
‘The Guest’ is a well-paced thriller concerning a young man whose visit to the home of a fallen comrade appears to coincide with a series of violent crimes.
