Like Batman, James Bond and other iconic heroes, Sherlock Holmes has seen so many reinventions that the original image is almost forgotten. Arthur Conan Doyle would faint if he were alive to see what pop culture has made of his famed creation.
‘Bridge of Spies’ is a dialogue-heavy historical drama from Steven Spielberg and Tom Hanks, which manages to take its characters out of the typically stuffy back rooms and engage audiences for the entire length of its narrative.
‘The Demolisher,’ which premiered at the Fantasia Film Festival, is an intense and near-silent depiction of a man who buries his pain in a suit of armour that he wears while anonymously patrolling the streets for his wife’s attackers.
There are moments in Canadian Stage’s new “Julius Caesar” that are so affecting and original, you’re tempted to ignore other moments when it misfires. Director Estelle Shook turns this classic into high spectacle, but not always to its benefit.
The BBC has been hit with a lawsuit by Take-Two Interactive, the parent company of Grand Theft Auto creators Rockstar Games, over allegations of potential trademark misuse in the broadcasting company's upcoming drama about the GTA franchise.
How often does independent theatre get as good as this? Coal Mine Theatre’s new production of “Creditors,” one of August Strindberg’s lesser-performed plays, is so alive with tension and piercing wit that it rarely feels like an antique.
“When I add up the balance sheet of my life,” says Juliana (Tamsin Kelsey), a seemingly confident neurologist, in “The Other Place”, “the numbers say I'm happy.” But things are never as they look in this fresh depiction of mental illness.