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TIFF 2018 News

Review: ‘Can You Ever Forgive Me?’ needn’t ask to forgive anything Special

‘Can You Ever Forgive Me?’ is an endearing film about an unlikely friendship that develops around a biographer’s phoney letter writing plan.

Review: ‘The Sisters Brothers’ doesn’t try to abide by tradition Special

‘The Sisters Brothers’ is an offbeat Western that doesn’t force its characters into clearly defined categories of good and bad as the men at the centre of the tale walk that fine line with many missteps.

Review: ‘A Star is Born’ plays an unanticipated melody Special

‘A Star is Born’ is an emotional journey following two evocative singers, played exceptionally by Bradley Cooper and Lady Gaga, who inspire the best in each other, but find having it all still isn’t enough.

Review: ‘Fahrenheit 11/9’ tells it how it is as only Michael Moore can Special

‘Fahrenheit 11/9’ is Michael Moore’s scathing look at how Americans became disenchanted with the political process, allowing Donald Trump to become president.

Review: TIFF 2018: ‘White Boy Rick’ makes a lot of poor decisions Special

‘White Boy Rick’ is the true story of a teen who fashioned himself a kingpin, but was really just a dumb kid making bad choices.

Review: TIFF 2018: ‘Her Smell’ tells a reckless story with precise flair Special

‘Her Smell’ is the entrancing story of a grunge singer at the height of her career who tumbles off the cliff of her success, hitting every rock on the way down to the bottom.

Review: TIFF 2018: ‘Border’ is full of hope but shrouded in danger Special

‘Border’ is a fairy tale of sorts, in which the princess discovers another world in which she could be accepted but at a cost to those around her.

Review: TIFF 2018: ‘Donnybrook’ is a dark journey through hell Special

‘Donnybrook’ digs into the darkest corners of humanity to find its mostly disagreeable characters whose fates will be decided at an underground competition.

Review: ‘The Predator’s only problem isn’t its name Special

‘The Predator’ is a sequel to the pre-Alien crossover films and attempts to refresh the franchise, but is only semi-successful.

Review: TIFF 2018: ‘The Wind’ blows the house down Special

‘The Wind’ is a horror movie that’s rooted in isolation, but draws on many other elements to illustrate the dangers of uncivilized land.

Review: TIFF 2018: ‘Jeremiah Terminator LeRoy’ is who they want him to be Special

‘Jeremiah Terminator LeRoy’ is the compelling true story of two different women portraying one young man in an effort to connect that instead becomes the root of their alienation.

Review: TIFF 2018: ‘Freaks’ never settles for the expected Special

‘Freaks’ is a thriller that unexpectedly turns into a science fiction narrative, while providing commentary on the current state of affairs.

Review: TIFF 2018: ‘Firecrackers’ delivers a feisty, genuine experience Special

‘Firecrackers’ explores the consequences of being an independent, spirited young woman in a small town that values its men more.

Review: TIFF 2018: Cheer on ‘The Extraordinary Journey of Celeste Garcia’ Special

‘The Extraordinary Journey of Celeste Garcia’ is a sweet comedy about a woman who can’t wait for her second chance at life on another planet.
 

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TIFF 2018 Image

A scene from  Can You Ever Forgive Me?’
A scene from 'Can You Ever Forgive Me?’
Twentieth Century Fox
A scene from ‘The Extraordinary Journey of Celeste Garcia’
A scene from ‘The Extraordinary Journey of Celeste Garcia’
TIFF
A scene from  Donnybrook
A scene from 'Donnybrook'
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A scene from  Border
A scene from 'Border'
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A scene from  White Boy Rick
A scene from 'White Boy Rick'
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A scene from  Her Smell
A scene from 'Her Smell'
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A scene from  Firecrackers
A scene from 'Firecrackers'
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