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Jeff Cottrill

Digital Journalist based in Toronto, ON, Canada. Joined on Mar 7, 2011
Expertise in Board games, Entertainment, Movies, Celebrities, Social media,   see all» Travel, Music, Divorce, Internet, Books

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Review: ‘Twelfth Night’ in High Park loaded with fast-paced fun Special

Toronto - Now this is what a Shakespeare comedy should be. Canadian Stage’s “Twelfth Night”, which opened last Friday, is so much delirious fun that it will make you forget all the boring academic blather you heard about the Bard in Grade 11 English.

Review: Strong ‘Lear’ in Toronto’s High Park brings women to forefront Special

Toronto - It’s 2017, and it’s beyond time that the women of the acting world got to walk in the footsteps of William Shakespeare’s great tragic heroes. Canadian Stage’s new “King Lear”, with Diane D’Aquila in the lead, makes a strong case.

‘Come From Away’, ‘Rocking Horse’, ʻFather’ win big at Doras Special

Toronto - Although “Come From Away”, “Father Comes Home from the Wars” and “Rocking Horse Winner” were among the top winners at last night’s Dora Mavor Moore Awards, the night really seemed to belong to the late Jon Kaplan much of the time.

Review: Robert Lepage’s ‘887’ turns memory into a multimedia masterpiece Special

Toronto - There are a lot of ways you could categorize Robert Lepage’s spellbinding “887” – magic show? Confessional monologue? History lesson? – and none would be wrong. But only by blending these unlikely elements does it become a masterwork.

Review: Trumpism not the only target in ʻEverything Is Great Again’ Special

Toronto - Given a title like “Everything Is Great Again”, you know Donald Trump’s presidency is taking some shots in the new Toronto Second City show, which opened last night. But as easy a target as he is, the Orange One is surprisingly absent.

Review: Soulpepper’s ‘Bondage’ still an emotionally resonant experience Special

Toronto - It’s been nearly three years since Soulpepper premiered its acclaimed production of “Of Human Bondage”, which began its third go-around this week. The show heads to New York in July, and if last night’s reopening was any indication, it’s ready.

Review: Compelling drama ‘Liv Stein’ relentless in English-language debut Special

Toronto - “Liv Stein” is like an edgier “All About Eve”, set in the classical music world, with a climax that takes cues from “Saw”. If that description is hard to believe, it suits a play about how the desperate believe anything they want to be true.

Review: Soulpepperʼs ʻThe Last Wifeʼ is a Tudor tale for our times Special

Toronto - Kate Hennig’s “The Last Wife” may be ostensibly about Henry VIII’s marriage to Katherine Parr, but it’s misleading to view the play as a history lesson. Considering recent world events, it seems to be about now more than any other period.

Review: Soulpepper reimagines ʻWonderful Lifeʼ as a postwar radio play Special

Toronto - As with other overexposed holiday classics – “A Christmas Carol”, “The Grinch” and so on – itʼs hard to see “Itʼs a Wonderful Life” in a fresh way. But Philip Grecianʼs stage adaptation tries a unique approach: a live radio play.

Review: Cullen scores the biggest laughs in zany Dickens spoof Special

Toronto - Charles Dickens’ works are so often viewed as boring, stuffy and antiquated these days, many don’t realize that his contemporaries actually saw him as a master of high and low comedy. Old Boz himself might even have enjoyed “Twist Your Dickens”.

Review: George F. Walker completes Bobby and Tina cycle on mixed note Special

Toronto - The third entry in a trilogy is often the weakest one. Think of “The Godfather Part III”, “Return of the Jedi”, “The Return of the King” – and now, if this rule counts for indie theatre too, add George F. Walker’s “The Damage Done”.

Review: ‘Constellations’ tries to find string theory in relationships Special

Toronto - Not everybody finds quantum physics romantic or sexy. British playwright Nick Payne evidently does, as his acclaimed 2012 stage hit “Constellations” tries to examine different incarnations of a relationship between two scientists.

Review: Intense ‘Breathing Corpses’ shocks, stuns in Canadian debut Special

Toronto - Everybody dies, but how does the cycle of mortality affect those still living? That’s the theme that confronts audiences in British playwright Laura Wade’s uncomfortable 2005 drama, “Breathing Corpses”, which opened in Toronto on Wednesday.

Review: Married Toronto comics Baram & Sneickus keep the laughs going Special

Toronto - Naomi Snieckus and Matt Baram are two of the funniest comedians in Toronto, if not all of Canada. And if their new sketch revue, “Still Figuring It Out”, seems a tad uneven in spots, there’s still plenty there to keep your funny bone occupied.

Review: Latest Second City Toronto revue tackles some thorny issues Special

Toronto - Second City rarely shies from controversial topics, but the Toronto comedy company’s new revue, “Come What Mayhem!”, seems to have thorny social issues as its mission. Terrorism, racism, rape culture, bullies – a lot of boxes get checked off.

Review: Updated take on Ibsen classic has fresh new meaning in T.O. Special

Toronto - You may think there’s nothing new to see in Henrik Ibsen’s “A Doll’s House”, or that it lacks the shocking, revolutionary quality that it had in 1879. Well, get ready to view the play in a different way if you catch the ongoing Toronto remount.

Review: Clowns are the stars of campy, frenetic ‘39 Steps’ in Toronto Special

Toronto - Ravi Jain may be one of Toronto’s hottest theatre directors, but he hasn’t forgotten his clowning roots. That’s clear from “The 39 Steps”, in which he turns the classic Alfred Hitchcock film into a crazily entertaining screwball free-for-all.

Review: ‘Hamlet’ in Toronto’s High Park scores with strong lead, energy Special

Toronto - How do you scrunch “Hamlet” down to ninety minutes without killing the plot or losing too many of the great soliloquies? Sounds like an impossible task, but Canadian Stage manages to pull it off in a surprisingly solid High Park production.

Review: Fast-paced staging fires up ‘All’s Well’ in Toronto’s High Park Special

Toronto - “All’s Well that Ends Well” is a famous title, but it’s not one of William Shakespeare’s better-known plays. This year, Canadian Stage is tackling this rarely remounted work with a wide comedic onslaught – mostly to its advantage.

Review: The Force is with Ross, as ‘One-Man Star Wars’ returns to T.O. Special

Toronto - You wouldn’t think a one-person Fringe show reenacting the basic plots of the original “Star Wars” trilogy would take a person very far, but British Columbia actor Charlie Ross has been doing this show for about fifteen years now.
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