This Digital Journal reporter visited the Agodi Gardens, Parliament Road, Ibadan, recently. The experience was hauntingly reminiscent of Dante Alighieri's "lost in the woods" metaphor in his Inferno, Divine Comedy.
...My instinct was to get away from the place as quickly as possible. I looked around for a tree I could shimmy up hastily if by a stroke of fickle chance the lion manages to escape. High smooth-sided trees all round, I would stand no chance against a hungry lion in this environment.
I became conscious of the fact that I was alone in the woods with a lion somewhere ahead. The lion was supposed to be caged. But could I trust the quality of staff that I met at the gates to keep a hungry lion safely in a cage?
I returned to the gate and found the staff lounging around idly, one picking his teeth in a hillbilly manner. The manager was preparing to leave. I said nothing. Everything about them told me it would be fruitless exercise to raise questions about the security of their rickety pens. But trouble began when I attempted to snap close-up photos of the Gardens' dilapidated facade.
"Day was departing, and the embrowned air/Released the animals that are on earth/From their fatigues; and I the only one/Made myself ready to sustain the war/Both of the way and likewise of the woe/Which memory that errs not shall retrace." (Dante Alighieri, Inferno, Canto II, Divine Comedy)
A lion in the heart of the forest! It reminded me of the passage from Inferno: "But not so much, that did not give me fear/A lion's aspect which appeared to me/He seemed as if against me he were coming/With head uplifted, and with ravenous hunger/So that it seemed the air was afraid of him." (Dante Alighieri, Inferno, Canto I, Divine Comedy)
In traditional folklore, including Yoruba, a stream is a symbol of the boundary between two levels of existence in the pilgrimage of a soul. Crossing a stream is symbolic of moving to a new spiritual level, either for good or for bad.