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Stage News

Review: ‘Bend It Like Beckham’ translates well to the musical stage Special

Toronto - Sports fans don’t often like show tunes, and musical fans aren’t usually jock types. But “Bend It Like Beckham: The Musical”, which made its North American debut in Toronto on Tuesday, takes a stab at bringing the two camps together.

Review: Annie Baker’s moving ‘The Flick’ soars high in its Toronto debut Special

Toronto - Annie Baker’s brilliant “The Flick” is about movies, but much more. It’s about working dead-end, minimum-wage jobs and using movies to escape. It’s about the difficulties we have in connecting to each other through our social masks.

Review: Soulpepper rides a streetcar to success with bold new remount Special

Toronto - What a work of art “A Streetcar Named Desire” is. Brutal yet sensitive; poetic and tragic, but loaded with raw, frightening energy – Tennessee Williams’ classic play is no less powerful now than it was in 1947, even as norms have changed.

Review: New Soulpepper staging lights few real sparks in Pinter classic Special

Toronto - Harold Pinter is one of those playwrights whose work should be tough to screw up. His 1977 masterpiece “Betrayal” is deceptively simple and rich in dry, smart dialogue with a meaty level of subtext that actors love to chew on.

Review: Reza’s ‘Art’ loses little of its bite in new Soulpepper remount Special

Toronto - It’s easy to satirize modern art, especially if you don’t get it. It’s harder to turn a disagreement on art into a funny, biting examination of male fragility. The latter achievement is why Yasmina Reza’s 1994 play “‘Art’” holds up well.

Review: McCraney’s ‘Brothers Size’ rocks the stage with spectacle, heart Special

Toronto - Director Barry Jenkins received much of the credit for the brilliance of the Oscar-winning 2016 film “Moonlight”. But Tarell Alvin McCraney, on whose unpublished 2003 play the movie was based, is himself a distinctive creative voice to behold.

Review: Second City’s latest is big on physical humour, short on politics Special

Toronto - Second City’s “Walking on Bombshells” immediately grabs your attention with its bold set: a realistic replica of the subway walls at Osgoode Station. Not only is it familiar, it also pumps you up to expect some savage satire of the TTC.

Review: New Second City holiday revue lacks chemistry, edge of past shows Special

Toronto - The holidays are a time of disappointment for some, from kids who get nothing but clothes from Santa to single adults spending the season alone. This year, some Second City fans in Toronto might feel seasonal letdown by the company’s new revue.

Review: Alesso electrifies Electric Zoo main stage, pays homage to Avicii Special

New York - On September 2, world renowned Swedish DJ and producer Alesso headlined "Electric Zoo: The Big 10" at Randall's Island Park in New York. His performance included a memorable homage to Avicii.

Review: ‘Romeo and Juliet’ hits High Park with energy and style Special

Toronto - “Romeo and Juliet” is one of the Shakespeare tragedies that’s hard to make fresh. Even for those who don’t care for the Bard, it’s too familiar, over-referenced and over-parodied, and everything about it now seems like a stale cliché.

Review: ‘Midsummer Night’s Dream’ scores in High Park with unique choices Special

Toronto - Tanja Jacobs knows how to make Shakespeare fun. Fresh off last year’s funny, colourful production of “Twelfth Night” in Toronto’s High Park, the director scores another winner with her quick-paced take on “A Midsummer Night’s Dream”.

‘Jerusalem’, ‘Life After’, ‘Orphée’ dominate this year’s Doras Special

Toronto - It was an evening of rampant rule-breaking at the thirty-ninth Dora Mavor Moore Awards last night – the annual ceremony recognizing the best in Toronto theatre – as winners littered the stage with random F-bombs and overlong speeches.

Review: Annie Baker’s ‘The Aliens’ makes impressive Toronto debut Special

Toronto - Annie Baker is the unofficial poet laureate of the millennial generation. Does any other current playwright have such a gift for recreating the way young people really talk – not just in what they say, but in what they don’t?

Review: Hilarity and despair mix well in wonderful new take on ‘Godot’ Special

Toronto - “Waiting for Godot” may be famous as The Play In Which Nothing Happens, but Soulpepper Theatre Company’s new production in Toronto is so alive and emotionally resonant, you’ll come out of it feeling as if you’ve seen everything.

Review: ‘Twelfth Night’ in High Park loaded with fast-paced fun Special

Toronto - Now this is what a Shakespeare comedy should be. Canadian Stage’s “Twelfth Night”, which opened last Friday, is so much delirious fun that it will make you forget all the boring academic blather you heard about the Bard in Grade 11 English.

Review: Soulpepper’s ‘Bondage’ still an emotionally resonant experience Special

Toronto - It’s been nearly three years since Soulpepper premiered its acclaimed production of “Of Human Bondage”, which began its third go-around this week. The show heads to New York in July, and if last night’s reopening was any indication, it’s ready.

Review: Compelling drama ‘Liv Stein’ relentless in English-language debut Special

Toronto - “Liv Stein” is like an edgier “All About Eve”, set in the classical music world, with a climax that takes cues from “Saw”. If that description is hard to believe, it suits a play about how the desperate believe anything they want to be true.

Review: Soulpepperʼs ʻThe Last Wifeʼ is a Tudor tale for our times Special

Toronto - Kate Hennig’s “The Last Wife” may be ostensibly about Henry VIII’s marriage to Katherine Parr, but it’s misleading to view the play as a history lesson. Considering recent world events, it seems to be about now more than any other period.

Review: Soulpepper reimagines ʻWonderful Lifeʼ as a postwar radio play Special

Toronto - As with other overexposed holiday classics – “A Christmas Carol”, “The Grinch” and so on – itʼs hard to see “Itʼs a Wonderful Life” in a fresh way. But Philip Grecianʼs stage adaptation tries a unique approach: a live radio play.

Review: George F. Walker completes Bobby and Tina cycle on mixed note Special

Toronto - The third entry in a trilogy is often the weakest one. Think of “The Godfather Part III”, “Return of the Jedi”, “The Return of the King” – and now, if this rule counts for indie theatre too, add George F. Walker’s “The Damage Done”.

Review: Intense ‘Breathing Corpses’ shocks, stuns in Canadian debut Special

Toronto - Everybody dies, but how does the cycle of mortality affect those still living? That’s the theme that confronts audiences in British playwright Laura Wade’s uncomfortable 2005 drama, “Breathing Corpses”, which opened in Toronto on Wednesday.

Review: Updated take on Ibsen classic has fresh new meaning in T.O. Special

Toronto - You may think there’s nothing new to see in Henrik Ibsen’s “A Doll’s House”, or that it lacks the shocking, revolutionary quality that it had in 1879. Well, get ready to view the play in a different way if you catch the ongoing Toronto remount.

Review: Clowns are the stars of campy, frenetic ‘39 Steps’ in Toronto Special

Toronto - Ravi Jain may be one of Toronto’s hottest theatre directors, but he hasn’t forgotten his clowning roots. That’s clear from “The 39 Steps”, in which he turns the classic Alfred Hitchcock film into a crazily entertaining screwball free-for-all.

Singer dies after being bitten by cobra on stage

Karawang - Earlier in the week, an Indonesian pop star was performing on stage when she was bitten by a cobra. After she was bitten, she collapsed and died.

Review: T.O. gets up close and personal with top acting talent in ‘Tale’ Special

Toronto - “The Winter’s Tale” isn’t the favourite Shakespeare play of many, but the modern-dress version at Toronto’s Coal Mine Theatre — the inaugural production of Graham Abbey’s Groundling Theatre Company — makes it seem close to a masterpiece.

Review: New Evan Linder play a timely drama about race, family, love Special

Toronto - How can a poor white couple cope in a small-minded Mississippi town when their new baby turns out to be African American? That’s the dilemma of Chicago playwright Evan Linder’s explosive new play, “Byhalia, Mississippi”, which opened on Friday.

Review: Jim Broadbent delights in a Christmas Carol Special

London - The Christmas season may be over but the London stage production of A Christmas Carol, staring movie legend Jim Broadbent, continues its theater run.

Op-Ed: The best of live theatre in Toronto and elsewhere in 2015

Toronto - So we’ve come to the end of 2015. As inevitable as Christmas, New Year’s and excessive alcohol and chocolate consumption are the media’s endless recap lists and reviews of the best in entertainment of the year – in music, film and so on.

Review: David Fox owns the stage in otherwise routine 'King Lear' in T.O. Special

Toronto - As Edmund the bastard might put it, the wheel of David Fox’s association with Theatre Passe Muraille is come full-circle. A cast member of 1972’s legendary “The Farm Show”, Fox is back at the Toronto venue as the Bard’s greatest tragic hero.

Review: Campy ‘Holmes’ touring production is a little too elementary Special

Toronto - Like Batman, James Bond and other iconic heroes, Sherlock Holmes has seen so many reinventions that the original image is almost forgotten. Arthur Conan Doyle would faint if he were alive to see what pop culture has made of his famed creation.
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Skylar Campbell performs in the National Ballet of Canada s production of John Neumeier s  Nijnsky.
Skylar Campbell performs in the National Ballet of Canada's production of John Neumeier's "Nijnsky."
Bruce Zinger
The title character in Act I of Dmitri Shostakovich’s “The Nose.  The first revival of South Afr...
The title character in Act I of Dmitri Shostakovich’s “The Nose." The first revival of South African artist William Kentridge's acclaimed production opens September 28. Photo: Ken Howard/Metropolitan Opera
Ken Howard/Metropolitan Opera
A scene from the Canadian Opera Company’s production of  Dialogues des Carmélites   2013.
A scene from the Canadian Opera Company’s production of "Dialogues des Carmélites", 2013.
Michael Cooper
Untitled
Svadilfari
Roundabout Theatre Company’s ANYTHING GOES. Pictured: Alex Finke  Erich Bergen and Company.
Roundabout Theatre Company’s ANYTHING GOES. Pictured: Alex Finke, Erich Bergen and Company.
Joan Marcus
The band Orchestral Manoeuvres in the Dark performing
The band Orchestral Manoeuvres in the Dark performing
carriedetect
Photo taken from printed program of Asia on Stage show 2010 at Herbst Theater San Francisco
Photo taken from printed program of Asia on Stage show 2010 at Herbst Theater San Francisco
Program photo from Asia on Stage show 2010
Legendary performer talks with her audience.
Legendary performer talks with her audience.
Rialto Theater
Lights  camera  action!  On the set of  The Dirty and Dirty with Frank Fontana   Faux  show.  Chicag...
Lights, camera, action! On the set of "The Dirty and Dirty with Frank Fontana" "Faux" show. Chicago, IL
David Mirvish presented a variety of entertainment this morning when the 2012/2013 season for the Ed...
David Mirvish presented a variety of entertainment this morning when the 2012/2013 season for the Ed Mirvish Theatre was announced
A scene from the 2011 Salzburg Festival production of Mozart s  The Marriage of Figaro   which will ...
A scene from the 2011 Salzburg Festival production of Mozart's 'The Marriage of Figaro', which will be part of the COC's 2015-2016 season. "Mozart is key, like the core of the core," Neef says. "(His work is) the most human and he never judges his characters." ( L-R, Genia Kühmeier as the Countess, Katija Dragojevic as Cherubino and Marlis Petersen as Susanna)
Monika Rittershaus
Luca Pisaroni as Maometto II. Photo from  Maometto II  (Sante Fe Opera  2012).
Luca Pisaroni as Maometto II. Photo from 'Maometto II' (Sante Fe Opera, 2012).
Ken Howard
COC Music Director Johannes Debus applauds the Ensemble Studio Competition finalists and winners.
COC Music Director Johannes Debus applauds the Ensemble Studio Competition finalists and winners.
Michael Cooper
Johan Reuter as Wotan and Christine Goerke as Brünnhilde in the Canadian Opera Company production o...
Johan Reuter as Wotan and Christine Goerke as Brünnhilde in the Canadian Opera Company production of 'Die Walküre', 2015.
Michael Cooper
The stage for the live country bands set up in the beer garden area  kept for 19 plus only.
The stage for the live country bands set up in the beer garden area, kept for 19 plus only.
Untitled
sarflondondunc
The stage is set  ready for the production of A Christmas Carol.
The stage is set, ready for the production of A Christmas Carol.
Ta Rea Campbell as Deloris and Hollis Resnik as Mother Superior in the touring production of Sister ...
Ta'Rea Campbell as Deloris and Hollis Resnik as Mother Superior in the touring production of Sister Act.
Joan Marcus
Soulpepper Ensemble Creation members Ins Choi (L) and Mike Ross (R) in a scene from the stage adapta...
Soulpepper Ensemble Creation members Ins Choi (L) and Mike Ross (R) in a scene from the stage adaptation of Alligator Pie, on now at the Young Centre.
Jason Hudson
The cast of Sister Act offer a high-energy  joy-filled performance  and are assisted by great design...
The cast of Sister Act offer a high-energy, joy-filled performance, and are assisted by great design, along with disco-inspired choreography by Anthony Van Laast.
Joan Marcus

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