Stage News
|
Toronto -
Annie Baker’s brilliant “The Flick” is about movies, but much more. It’s about working dead-end, minimum-wage jobs and using movies to escape. It’s about the difficulties we have in connecting to each other through our social masks.
|
|
Toronto -
What a work of art “A Streetcar Named Desire” is. Brutal yet sensitive; poetic and tragic, but loaded with raw, frightening energy – Tennessee Williams’ classic play is no less powerful now than it was in 1947, even as norms have changed.
|
|
Toronto -
Harold Pinter is one of those playwrights whose work should be tough to screw up. His 1977 masterpiece “Betrayal” is deceptively simple and rich in dry, smart dialogue with a meaty level of subtext that actors love to chew on.
|
|
Toronto -
It’s easy to satirize modern art, especially if you don’t get it. It’s harder to turn a disagreement on art into a funny, biting examination of male fragility. The latter achievement is why Yasmina Reza’s 1994 play “‘Art’” holds up well.
|
|
Toronto -
Director Barry Jenkins received much of the credit for the brilliance of the Oscar-winning 2016 film “Moonlight”. But Tarell Alvin McCraney, on whose unpublished 2003 play the movie was based, is himself a distinctive creative voice to behold.
|
|
Toronto -
Second City’s “Walking on Bombshells” immediately grabs your attention with its bold set: a realistic replica of the subway walls at Osgoode Station. Not only is it familiar, it also pumps you up to expect some savage satire of the TTC.
|
|
Toronto -
The holidays are a time of disappointment for some, from kids who get nothing but clothes from Santa to single adults spending the season alone. This year, some Second City fans in Toronto might feel seasonal letdown by the company’s new revue.
|
|
New York -
On September 2, world renowned Swedish DJ and producer Alesso headlined "Electric Zoo: The Big 10" at Randall's Island Park in New York. His performance included a memorable homage to Avicii.
|
|
Toronto -
“Romeo and Juliet” is one of the Shakespeare tragedies that’s hard to make fresh. Even for those who don’t care for the Bard, it’s too familiar, over-referenced and over-parodied, and everything about it now seems like a stale cliché.
|
|
Toronto -
Tanja Jacobs knows how to make Shakespeare fun. Fresh off last year’s funny, colourful production of “Twelfth Night” in Toronto’s High Park, the director scores another winner with her quick-paced take on “A Midsummer Night’s Dream”.
|
|
Toronto -
It was an evening of rampant rule-breaking at the thirty-ninth Dora Mavor Moore Awards last night – the annual ceremony recognizing the best in Toronto theatre – as winners littered the stage with random F-bombs and overlong speeches.
|
|
Toronto -
Annie Baker is the unofficial poet laureate of the millennial generation. Does any other current playwright have such a gift for recreating the way young people really talk – not just in what they say, but in what they don’t?
|
|
Toronto -
“Waiting for Godot” may be famous as The Play In Which Nothing Happens, but Soulpepper Theatre Company’s new production in Toronto is so alive and emotionally resonant, you’ll come out of it feeling as if you’ve seen everything.
|
|
Toronto -
Now this is what a Shakespeare comedy should be. Canadian Stage’s “Twelfth Night”, which opened last Friday, is so much delirious fun that it will make you forget all the boring academic blather you heard about the Bard in Grade 11 English.
|
|
Toronto -
It’s been nearly three years since Soulpepper premiered its acclaimed production of “Of Human Bondage”, which began its third go-around this week. The show heads to New York in July, and if last night’s reopening was any indication, it’s ready.
|
|
Toronto -
“Liv Stein” is like an edgier “All About Eve”, set in the classical music world, with a climax that takes cues from “Saw”. If that description is hard to believe, it suits a play about how the desperate believe anything they want to be true.
|
|
Toronto -
Kate Hennig’s “The Last Wife” may be ostensibly about Henry VIII’s marriage to Katherine Parr, but it’s misleading to view the play as a history lesson. Considering recent world events, it seems to be about now more than any other period.
|
|
Toronto -
As with other overexposed holiday classics – “A Christmas Carol”, “The Grinch” and so on – itʼs hard to see “Itʼs a Wonderful Life” in a fresh way. But Philip Grecianʼs stage adaptation tries a unique approach: a live radio play.
|
|
Toronto -
The third entry in a trilogy is often the weakest one. Think of “The Godfather Part III”, “Return of the Jedi”, “The Return of the King” – and now, if this rule counts for indie theatre too, add George F. Walker’s “The Damage Done”.
|
|
Toronto -
Everybody dies, but how does the cycle of mortality affect those still living? That’s the theme that confronts audiences in British playwright Laura Wade’s uncomfortable 2005 drama, “Breathing Corpses”, which opened in Toronto on Wednesday.
|
|
Toronto -
You may think there’s nothing new to see in Henrik Ibsen’s “A Doll’s House”, or that it lacks the shocking, revolutionary quality that it had in 1879. Well, get ready to view the play in a different way if you catch the ongoing Toronto remount.
|
|
Toronto -
Ravi Jain may be one of Toronto’s hottest theatre directors, but he hasn’t forgotten his clowning roots. That’s clear from “The 39 Steps”, in which he turns the classic Alfred Hitchcock film into a crazily entertaining screwball free-for-all.
|
|
Karawang -
Earlier in the week, an Indonesian pop star was performing on stage when she was bitten by a cobra. After she was bitten, she collapsed and died.
|
|
Toronto -
“The Winter’s Tale” isn’t the favourite Shakespeare play of many, but the modern-dress version at Toronto’s Coal Mine Theatre — the inaugural production of Graham Abbey’s Groundling Theatre Company — makes it seem close to a masterpiece.
|
|
Toronto -
How can a poor white couple cope in a small-minded Mississippi town when their new baby turns out to be African American? That’s the dilemma of Chicago playwright Evan Linder’s explosive new play, “Byhalia, Mississippi”, which opened on Friday.
|
|
London -
The Christmas season may be over but the London stage production of A Christmas Carol, staring movie legend Jim Broadbent, continues its theater run.
|
|
Toronto -
So we’ve come to the end of 2015. As inevitable as Christmas, New Year’s and excessive alcohol and chocolate consumption are the media’s endless recap lists and reviews of the best in entertainment of the year – in music, film and so on.
|
|
Toronto -
As Edmund the bastard might put it, the wheel of David Fox’s association with Theatre Passe Muraille is come full-circle. A cast member of 1972’s legendary “The Farm Show”, Fox is back at the Toronto venue as the Bard’s greatest tragic hero.
|
|
Toronto -
Like Batman, James Bond and other iconic heroes, Sherlock Holmes has seen so many reinventions that the original image is almost forgotten. Arthur Conan Doyle would faint if he were alive to see what pop culture has made of his famed creation.
|
|
Toronto -
Overheard during the intermission at the Soulpepper theatre company’s new production of “Marat/Sade” last night: First dude says, “This is totally amazing, huh?” Second dude replies, “Yeah... but it’s also kind of exhausting, isn’t it?”
|
apis-405577 apis-404598 apis-403053 apis-401769 apis-394890 apis-390925 apis-382625 apis-375397 apis-371291 apis-371238 apis-369674 apis-346196 apis-345573 apis-340933 apis-328398 apis-326232 apis-326029 apis-323261 apis-321568 apis-319529 apis-313216 apis-312682 apis-302881 apis-296444 apis-294528 apis-294447 apis-292804 apis-290843 apis-288237 apis-284598
Stage Image
Lights, camera, action! On the set of "The Dirty and Dirty with Frank Fontana" "Faux" show. Chicago, IL
A scene from the Canadian Opera Company’s production of "Dialogues des Carmélites", 2013. Michael Cooper
Ta'Rea Campbell as Deloris and Hollis Resnik as Mother Superior in the touring production of Sister Act. Joan Marcus
The Emerson String Quartet receive a standing ovation at Koerner Hall in Toronto on the opening night of the Toronto Summer Music Festival. Meghan Proudfoot Hila
David Mirvish presented a variety of entertainment this morning when the 2012/2013 season for the Ed Mirvish Theatre was announced
The main stage for the "Born Frees".
A scene from the 2011 Salzburg Festival production of Mozart's 'The Marriage of Figaro', which will be part of the COC's 2015-2016 season. "Mozart is key, like the core of the core," Neef says. "(His work is) the most human and he never judges his characters." ( L-R, Genia Kühmeier as the Countess, Katija Dragojevic as Cherubino and Marlis Petersen as Susanna) Monika Rittershaus
Roundabout Theatre Company’s ANYTHING GOES. Pictured: Ryan Steer, Bobby Pestka, Rachel York, Jeremy Benton, Kristopher Thompson-Bolden. Joan Marcus
The band Orchestral Manoeuvres in the Dark performing carriedetect
.jpg)
The combination of actor and dancer is something Campbell has taken to heart. A large part of Nijinsky’s artistry derived from his seemingly-seamless integration of the theatrical and balletic. It’s an integration Campbell is focusing on. “We have technically difficult steps we have to execute,” he notes, “but that’s not the majority of what the role is about.” Bruce Zinger
The stage for the live country bands set up in the beer garden area, kept for 19 plus only.
The set for 'The Caretaker' at The Old Vic in London.
Legendary performer talks with her audience. Rialto Theater
Johan Reuter as Wotan and Christine Goerke as Brünnhilde in the Canadian Opera Company production of 'Die Walküre', 2015. Michael Cooper
Rinat Shaham as Carmen and Alain Coulombe as Zuniga. Photo from 'Carmen' (Canadian Opera Company, 2010), which will be staged as part of the COC's 2015-2016 season. Michael Cooper
The title character in Act I of Dmitri Shostakovich’s “The Nose." The first revival of South African artist William Kentridge's acclaimed production opens September 28.
Photo: Ken Howard/Metropolitan Opera Ken Howard/Metropolitan Opera
Luca Pisaroni as Maometto II. Photo from 'Maometto II' (Sante Fe Opera, 2012). Ken Howard
(l-r) Robert Gleadow as Guglielmo, Paul Appleby as Ferrando, Wallis Giunta as Dorabella and Layla Claire as Fiordiligi in the Canadian Opera Company’s new production of "Così fan tutte", 2014. Michael Cooper
|
|
