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Review News

Review: ‘Boy Erased’ only has to tell its story to be affecting Special

‘Boy Erased’ tells the true and demoralizing story of a young man who submits to familial pressure and agrees to enrol in a conversion therapy program.

Review: ‘The Grinch’ appreciates and builds up from its roots Special

‘The Grinch’ delivers an update to Dr. Seuss’ classic tale by embracing the spirit of the original and adding a couple of new elements to freshen it up.

Review: Improvisation & ingenuity gets them through this week’s releases Special

This week’s releases include a horror movie based in reality; a movie that could’ve been politically charged; a rare action anthology; a unique Western; and a comedy that stands up 70 years after its initial release.

Review: ‘The Nutcracker and the Four Realms’ is a candy-coated venture Special

‘The Nutcracker and the Four Realms’ is an update to the holiday classic that turns the dance musical into a sword-wielding adventure.

Review: ‘Bohemian Rhapsody’ is all cheers, no tears Special

‘Bohemian Rhapsody’ is the nearly non-confrontational, somewhat sanitized tale of the still-celebrated rock band, Queen, as they soared to stardom.

Review: This week’s releases are pushing the boundaries Special

This week’s releases include one of Nicolas Cage’s best and most bizarre films; a hilarious female buddy comedy; a film that takes social commentary to the next level; a thrilling cop drama; and an animated movie not afraid to be silly.

Review: ‘Can You Ever Forgive Me?’ needn’t ask to forgive anything Special

‘Can You Ever Forgive Me?’ is an endearing film about an unlikely friendship that develops around a biographer’s phoney letter writing plan.

Review: Lots of reasons to be scared in this week’s releases Special

This week’s releases include a couple of horror anthologies; a romantic musical; the beginning of a vampire saga; an eccentric teen romance; a mechanical menace; and a haunted house made scarier with time.

Review: ‘Halloween’ erases a franchise and has no regrets Special

The new ‘Halloween’ is a thrilling follow-up to the original film that understands its origins and delivers a near-perfect extension of the 1978 narrative.

Review: ‘The Hate U Give’ is a vital picture in the cultural zeitgeist Special

‘The Hate U Give’ is a galvanizing film that depicts a young woman unexpectedly thrust into the centre of the Black Lives Movement.

Review: This week’s releases show you can never really know a person Special

This week’s releases include a missing timeline in the MCU; a classic sci-fi picture; two epic series collections; an attempt to discover a celebrity’s true self; and the true story of caustic survivor.

Review: ‘Bad Times at the El Royale’ will shock its spellbound audience Special

‘Bad Times at the El Royale’ is an inventive narrative that keeps viewers on their toes, while also drawing them to characters with whom they wouldn’t normally want to engage.

Review: ‘First Man’ puts audiences in the front seat for the moon landing Special

‘First Man’ is a vivid depiction of the dangers of being an astronaut from the perspective of space hero, Neil Armstrong.

Review: There’s a lot of dark days in this week’s releases Special

This week’s releases include an atypical look at being a teenager; a heartbreaking depiction of oppression; the new action hero on the block; a real-life story of survival; and a couple of resurrections.

Review: ‘The Sisters Brothers’ doesn’t try to abide by tradition Special

‘The Sisters Brothers’ is an offbeat Western that doesn’t force its characters into clearly defined categories of good and bad as the men at the centre of the tale walk that fine line with many missteps.

Review: ‘A Star is Born’ plays an unanticipated melody Special

‘A Star is Born’ is an emotional journey following two evocative singers, played exceptionally by Bradley Cooper and Lady Gaga, who inspire the best in each other, but find having it all still isn’t enough.

Review: The beasts from within are worse in this week’s releases Special

This week’s releases include an amazing story of real-life survival; a darkly humorous tale of a man who wants desperately to change; a horrific movie about bullying; and a classic film about monsters and monstrous people.

Review: ‘Lizzie’ describes a dark and scandalous motive for murder Special

‘Lizzie’ is the solemn tale of the century-old Borden murders, which introduces a less popular theory while unfolding with a never-ending dark cloud over everyone’s head.

Review: The best reason to have a ‘Bad Reputation’ Special

Joan Jett is an iconic, hall of fame musician, but ‘Bad Reputation’ shows she was doing more than just entertaining crowds for the last four decades — she was clearing a path for women who wanted to rock.

Review: What you see is not always what you get in this week’s releases Special

This week’s releases include an upgraded scary classic; a new take on a comic book standard; a couple of movies that take unexpected paths; another chapter in a cutthroat saga; and an origin story no one knew they wanted.

Review: ‘Fahrenheit 11/9’ tells it how it is as only Michael Moore can Special

‘Fahrenheit 11/9’ is Michael Moore’s scathing look at how Americans became disenchanted with the political process, allowing Donald Trump to become president.

Review: ‘The Wife’ will not play second-fiddle to anyone ever again Special

‘The Wife’ is the story of a frustrated spouse who finally snaps under the weight of her husband receiving the ultimate recognition, played perfectly by Glenn Close.

Review: ‘The House with a Clock’ will start new generation of horror fans Special

‘The House with a Clock in its Walls’ is a spine-tingling, magical fantasy that allows a strange boy to find his place in the world.

Review: There’s more than one way to get it done in this week’s releases Special

This week’s releases include the latest chapter in a prehistoric drama; the Korean version of a conventional horror story; a bit of typecasting; a fresh take on a heist narrative; and a movie that defies expectation.

Review: The end is nigh in this week’s releases Special

This week’s releases include an unfulfilled promise of greatness; a gripping horror movie; a classic Halloween comedy; the ends of several series; and an interesting approach to alien contact.

Review: TIFF 2018: ‘White Boy Rick’ makes a lot of poor decisions Special

‘White Boy Rick’ is the true story of a teen who fashioned himself a kingpin, but was really just a dumb kid making bad choices.

Review: TIFF 2018: ‘Her Smell’ tells a reckless story with precise flair Special

‘Her Smell’ is the entrancing story of a grunge singer at the height of her career who tumbles off the cliff of her success, hitting every rock on the way down to the bottom.

Review: TIFF 2018: ‘Border’ is full of hope but shrouded in danger Special

‘Border’ is a fairy tale of sorts, in which the princess discovers another world in which she could be accepted but at a cost to those around her.

Review: TIFF 2018: ‘Donnybrook’ is a dark journey through hell Special

‘Donnybrook’ digs into the darkest corners of humanity to find its mostly disagreeable characters whose fates will be decided at an underground competition.

Review: ‘The Predator’s only problem isn’t its name Special

‘The Predator’ is a sequel to the pre-Alien crossover films and attempts to refresh the franchise, but is only semi-successful.
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A scene from  Gabrielle
A scene from 'Gabrielle'
Entertainment One
Still from ‘Ghostbusters’ reboot
Still from ‘Ghostbusters’ reboot
Sony Pictures
Untitled
John Patrick Kennedy
Peter (Garfield) and Gwen (Stone) falling in love
Peter (Garfield) and Gwen (Stone) falling in love
Sony
A picture of a speed challenge which helps you learn the game in Transistor.
A picture of a speed challenge which helps you learn the game in Transistor.
Peter (Garfield) contemplates his life as Spider-Man
Peter (Garfield) contemplates his life as Spider-Man
Sony
Will Self s ninth novel   Umbrella .
Will Self's ninth novel, "Umbrella".
Andrew Garfield as Spider-Man in  The Amazing Spider-Man
Andrew Garfield as Spider-Man in 'The Amazing Spider-Man'
Sony
Untitled
Lisa Leone

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