The aim of the new exhibition is to “explore trust, identity and health in a changing world,” according to the Turner-winning architectural collective Assemble, who have designed and curated the space.
The exhibition, in the building designed to promote the best in medicine and science, presents over fifty artworks and medical related items, divided into four thematic groups; Genetics, Minds and Bodies, Infection and Environmental Breakdown.
The idea behind each of the sections is t take a theme and then to build a focused exploration of what it means to be human in the 21st Century.
The exhibition contains a new commission by Yinka Shonibare titled “Refugee Astronaut, unveiled.” Refugee Astronaut wears a suit made from fabric inspired by traditional Nigerian patterns and reflects on themes of “climate change, identity, colonialism and globalization”.
Also among the various items on display are a tank of zebrafish (a species with which we share around 70 percent of our genes) and a jukebox playing songs about epidemics.
With genetics, what does the future have in store? An interesting, if distributing possibility, comes from Heather Dewey-Hagborg, who sequenced DNA from discarded cigarette butts, gum and hair and looked for genetic markers related to appearance and constructed an image from the experiment:
There are also various donated prosthetics are featured.
The PPE Portrait Project is an art intervention designed to improve Ebola care, designed by Mary Beth Heffernan. “Wouldn’t they be less frightening if the person on the inside was pictured on the outside?” Heffernan poses the question, and she produces works where the portraits of the healthcare workers displayed on the front of their smocks.
A perspective on the state of the world is provided through some artistic alterations to Moroccan pressure cookers. This work is Batoul S’Himi, and they represent the uneven global distribution of climate breakdown. She transforms potentially hazardous household cooking appliances and utensils into artworks that convey a sense of anxiety about the world.
In terms of contemporary bio-technology ‘DIY’ CRISPR gene editing kit. CRISPR is an acronym for ‘clustered regularly-interspaced short palindromic repeats. As Digital Journal has reported (see the article: “Is CRISPR technology set to change biological science?”) the technology is a form of biological cut-and-paste molecular scissors.
Alongside the impressive works of art are other artefacts, such as include seeds taken from the Svalbard global seed vault. This is a storage facility created by the Norwegian government in 2008 to protect vital crops such as wheat against global disasters. Items from the London Freedom Seedbank are also on show.
There are also sculptures, looking at human functions from a different perspective. This sculpture is designed to evoke the smell of breast milk, from artist Tasha Marks. The form is designed to conjure up memories of motherhood and newborn babies.
The exhibition also helps the visitor look at different people in different ways. An example is from The Accessible Icon Project. This is an ongoing work of design activism, beginning with a graphic icon and continuing its work as a collaboration among people with disabilities with the aim of moving towards a more accessible world.
The image below is of Latai Taumoepeau is a contemporary Punake — a body-centred performance artist whose powerful artistic practice tells the stories of her homelands, the Island Kingdom of Tonga, and her birthplace of the Eora Nation, Sydney. The image explores culture and life changes.
Commenting on the overall exhibition, Curator Claire Barlow is quoted as saying: “Being Human explores our thoughts and feelings about health, our identities, relationships and our impact on the changing environment.” This sums up this fascinating and challenging exhibition perfectly.
The Wellcome Collection is located along Euston Road, London. The exhibition is running from now and into 2020. Entry is free.