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Review: TIFF 2019: ‘Kuessipan’ is about the strength of female friendship Special

‘Kuessipan’ is the story of two young women whose lifelong friendship is tested by new relationships and diverging futures.

Review: TIFF 2019: ‘Crazy World’ makes its own rules Special

‘Crazy World’ is a one-of-a-kind movie experience from Uganda, featuring child kung-fu masters, lots of gunfire and an important message.

Review: TIFF 2019: ‘Judy’ is a tale of joy and tears on- and off-screen Special

‘Judy’ is an intimate portrayal of Judy Garland’s final year as she experiences both success and disaster on stage in London.

Review: TIFF 2019: ‘How to Build a Girl’ has fun finding her way Special

‘How to Build a Girl’ is an amusing coming-of-age story in which a teenage girl finds her voice via scathing music reviews.

Review: TIFF 2019: ‘The Platform’ is a feast of deprivation Special

‘The Platform’ unfolds in a vertically-stacked prison in which food only reaches the top tiers, creating a vicious atmosphere that infects its inmates.

Review: TIFF 2019: ‘The Obituary of Tunde Johnson’ is a unique commentary Special

‘The Obituary of Tunde Johnson’ is a powerful exploration of the deaths of unarmed black people at the hands of American police officers.

Review: TIFF 2019: ‘Synchronic’ features a drug that redefines escape Special

‘Synchronic’ is a bizarre sci fi picture about a designer drug that’s main side effects include time travel and possible historical death.

Review: TIFF 2019: ‘Jungleland’ is neither road trip nor boxing movie Special

‘Jungleland’ is a story about two brothers bound by loyalty, even though they’ve both be better off if they spent some time apart.

Review: TIFF 2019: ‘Spider’ shows you can never really escape the past Special

‘Spider’ is a complex story in which the past and present collide when a couple’s former ally returns and threatens to reveal the skeletons in their closets.

US pressures Germany over Russian gas pipeline

Frankfurt Am Main - A transatlantic tiff over Europe's natural gas supply came to the boil Sunday, as Donald Trump's ambassador to Germany threatened firms involved in a pipeline from Russia with sanctions.

Review: ‘Widows’ is an electrifying narrative grounded in the real world Special

‘Widows’ is a thrilling movie that gains audience’s support by depicting genuine heroines preparing to take extreme measures to regain control of their lives.

Review: ‘Can You Ever Forgive Me?’ needn’t ask to forgive anything Special

‘Can You Ever Forgive Me?’ is an endearing film about an unlikely friendship that develops around a biographer’s phoney letter writing plan.

Review: ‘The Sisters Brothers’ doesn’t try to abide by tradition Special

‘The Sisters Brothers’ is an offbeat Western that doesn’t force its characters into clearly defined categories of good and bad as the men at the centre of the tale walk that fine line with many missteps.

Review: ‘A Star is Born’ plays an unanticipated melody Special

‘A Star is Born’ is an emotional journey following two evocative singers, played exceptionally by Bradley Cooper and Lady Gaga, who inspire the best in each other, but find having it all still isn’t enough.

Review: ‘Fahrenheit 11/9’ tells it how it is as only Michael Moore can Special

‘Fahrenheit 11/9’ is Michael Moore’s scathing look at how Americans became disenchanted with the political process, allowing Donald Trump to become president.

Review: TIFF 2018: ‘White Boy Rick’ makes a lot of poor decisions Special

‘White Boy Rick’ is the true story of a teen who fashioned himself a kingpin, but was really just a dumb kid making bad choices.

Review: TIFF 2018: ‘Her Smell’ tells a reckless story with precise flair Special

‘Her Smell’ is the entrancing story of a grunge singer at the height of her career who tumbles off the cliff of her success, hitting every rock on the way down to the bottom.

Review: TIFF 2018: ‘Border’ is full of hope but shrouded in danger Special

‘Border’ is a fairy tale of sorts, in which the princess discovers another world in which she could be accepted but at a cost to those around her.

Review: TIFF 2018: ‘Donnybrook’ is a dark journey through hell Special

‘Donnybrook’ digs into the darkest corners of humanity to find its mostly disagreeable characters whose fates will be decided at an underground competition.

Review: ‘The Predator’s only problem isn’t its name Special

‘The Predator’ is a sequel to the pre-Alien crossover films and attempts to refresh the franchise, but is only semi-successful.
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